![]() |
ÃÊ´ëÇÕ´Ï´Ù!
´õ¹«ºê´Â »õº½°ú ÇÔ²² º»°Ý <½½±â·Î¿î À½¾Ç ޱ¸»ýȰ> Ç×ÇØ¸¦ ½ÃÀÛÇÕ´Ï´Ù.
ù Ãâ¹ßÀº 3¿ù 25ÀÏ <À̼ҿµÀÇ ¹ÂÁ÷Å©¸®Æ½ Concert> ÀÔ´Ï´Ù.
À̼ҿµ À½¾ÇÆò·Ð°¡¿Í ÇÔ²² "Çѱ¹Ã¢ÀÛÀ½¾Ç ¾î¶»°Ô °¨»óÇÒ±î?" ¿¡ ´ëÇÑ ÅäÅ© ÄܼƮ ÀÔ´Ï´Ù.
À̹ø¿¡´Â ÀÛ°î°¡ ±è´ë¼ºÀÇ ÀÛǰÀ» Áß½ÉÀ¸·Î À̾߱â ÇÕ´Ï´Ù.
![]() |
¸¹Àº Âü¿© ¹Ù¶ø´Ï´Ù.
½ÅûÀº ´ñ±Û ȤÀº themove99@daum.net
·Î ÇØÁÖ¼¼¿ä~>⚘️
![]() |
- ±¹¾Ç °üÇö¾Ç ‘±ÝÀܵ𒸦 ÀÛ°îÇÑ ±è´ë¼ºÀº ÇØ¹æ °ø°£±â(1945-1948) ÀÛ°î°¡ÀÇ È°µ¿¿¡ °ü½ÉÀ» °®°í ¿ùºÏ ÀÛ°î°¡ ¸®°Ç¿ìÀÇ °¡°î ‘±ÝÀܵ𒸦 Áß½ÉÀ¸·Î Áö¿µÈñÀÇ °æ±âµµ´ç±Â Áß ‘¿Ã¸²Ã¤Àå´Ü’ µîÀ» Á÷Á¢ 亸ÇÏ¿© ¼ÒÀç·Î »ç¿ë, ÀÛǰÀ» ¿Ï¼ºÇß´Ù.
- °¡°î '±ÝÀܵð'´Â 1948³â ¹ßÇàµÈ ±è¼Ò¿ùÀÇ ½Ã¸¦ °¡»ç·Î ÇÑ ¸®°Ç¿ìÀÇ °¡°îÁý [±ÝÀܵð] ¼ö·Ï°î Áß Çϳª·Î, µ¿½Ã´ë Ȱµ¿ÇÏ¿´´ø ÀÛ°î°¡ ±è¼ø³²ÀÇ °¡°î°ú ÇÔ²² ÇØ¹æ °ø°£±â ¹ÎÁ·À½¾ÇÀÇ ¾ç´ë »ê¸ÆÀ» ÀÌ·é´Ù.
- ±è´ë¼ºÀº ¿äµ¿Áö¿ªÀÇ °í±¸·Á »ê¼ºÀ» ´ä»çÇÏ´ø Áß ÇÑ ¼ÛÀÌÀÇ ²ÉÀ» ¹ß°ßÇϰí Çè³ÇÑ ¿ª»ç¸¦ °ßµ®¿Â °í´ëÀÇ °í±¸·ÁÀΰú Çö´ëÀÇ ¹ÎÁßÀ» ¿¬°áÇÏ´Â ¸Å°³Ã¼·Î ¼³Á¤ÇÏ¿© ÀÛ°îÇß´Ù. Àü¹ÝºÎ¿¡¼ °í±¸·Á »ê¼ºÀÇ ¸ð½À°ú ¹ÎÁ·ÀÌ °Þ¾î¿Â ½Ã·ÃÀ» ±Â°Å¸®Ç³ÀÇ ¼Á¤ÀûÀÎ °¡¶ôÀ¸·Î Ç¥ÇöÇϰí, ÈĹݺο¡¼´Â ÆÇ¼Ò¸® ‘È£°ÉÁ¦’¿¡¼ ¿µ°¨À» ¹Þ¾Æ ÇѹÎÁ·ÀÇ ¿ªµ¿ÀûÀÎ Èû°ú ´ë·úÀÇ ±â»óÀ» ±×·Á³½´Ù.
Korean orchestral piece "Golden Grass" was composed by Kim Dae-seong. Interested in works by Korean composers who had been active from 1945 to 1948 (period following Korea’s liberation from Japanese colonization), Kim composed this work based on “Golden Grass,” a song by Lee Geonwoo who had defected to North Korea. Kim also listened to the rhythm of Gyeonggi Province’s local shaman rite by Ji Young-hee, made a score and added to his work.
“Golden Grass” is a track from Mr. Lee’s album called Golden Grass(1948) comprising songs with words of Kim Sowol’s poems. The song is one of the two greatest Korean ethnic songs of the period after Korea’s liberation, along with a song by composer Kim Soon-nam.
Kim Daeseong was visiting a mountain fortress located in Liaodong, China. The fortress had been built by Goguryeo, one of the three ancient kingdoms of Korea. There, Kim saw a flower which inspired him to compose a piece that connects Goguryeo’s people and today’s public going through ups and downs. In its first half, the piece depicts Goguryeo’s mountain fortress and people’s hardship with a traditional rhythm and lyrical tune. Its second half, which was inspired by a pansori work Hogeolje, expresses Korean people’s dynamic power and their land’s vigor.
* Copyright ¨Ï National Orchestra of Korea(NOK) all rights reserved
À̼ö¹Î ±âÀÚ Press@ithemove.com
<ÀúÀÛ±ÇÀÚ © ¿ù°£ ´õ¹«ºê THE MOVE, ¹«´Ü ÀüÀç ¹× Àç¹èÆ÷ ±ÝÁö>